To all fans of TRAVIS EDMONSON, and the Bud & Travis era

 

We are producing a DVD documentary on the life and musical contributions of Travis Edmonson, the release of several of his previously unknown songs; a songbook of those newly discovered pieces; and a Southwestern semi classical composition inspired by the paintings of his dear friend, legendary southwestern artist Ted DeGrazia...

The web page below offers great detail about the project…

BUT WE NEED YOUR HELP!

The bottom line is that we anticipate the need to raise another eight to twelve thousand dollars to finish the project.

A few people have made loans to the project in amounts ranging from $500 to $1,000. They’ll be paid back “off the top” from sales. Some others have simply made contributions to the effort. And we appreciate all of these.

Travis as a teenager.

 

But what we’re really focusing on is “Pre-sales” to raise the necessary funds. We are asking folks to pre-order the set at a price of $75 plus $5 for shipping. Total of $80. Even 150 pre-orders would get us very close to what we need.

There are three ways you can help:

Here is our online secure PayPal link for your convenience.

 

PRE-ORDER THE TRAVIS EDMONSON COLLECTION TODAY

The first 150 pre-orders will receive a limited edition signed by Travis.

 

 

DONATE TO THE PROJECT

 

 

MAKE A LOAN TO THE PROJECT

 

Questions?

Call Bill McCune at (602) 274-0278 or e-mail McCuneTV@aol.com

If you'd like to help with financing the project please contact

Marsha Richardson at (623) 687-4440 - email at Marsha3300@aol.com

or

Bonnie Brock at 623-444-5631... or e-mail at BB@Bonniebrock.net

Mail checks to:

Marsha Richardson
18412 N. 59th Lane
Glendale, AZ 85308 

John Stewart spoke of Travis Edmonson:

“Travis was the first one in the music scene to befriend when I arrived in New York in 1960. I was fresh out of Pomona, California, and I was nowhere ready for Manhattan!

Bud and Travis were playing at the St. Moritz Hotel for several weeks, and every night I'd go up and see the show and hang out with Travis and all the colorful people who also hung out with the man after the show. These were hip, artsy, eccentric people that I never knew existed in Pomona California. Travis and I have remained friends since then.

Travis has always been the consummate guitarist and romantic vocalist. He makes songs come to life, and he makes them his own.

He's always been a babe magnet, everybody's friend, a free roaming spirit, never defeated, and never surrenders. No matter what happens to him throughout this long crazy drive.

I'll always love him, and he'll always be a hero to me.”

John Stewart
May 2001

http://www.chillywinds.com

Allan Shaw (President and Owner, Folk Era Records), Bob Shane (Founding member of Kingston Trio), Travis, Dolan Ellis (Arizona’s Official State Balladeer and original and current member of the New Christy Minstrels), and Frank Sanchez (famed percussionist for Kingston Trio, Gypsy Kings, and Travis Edmonson)—Gather on September 23, 2007 to celebrate Travis’ 75th birthday

Bob Shane Speaks of Travis Edmonson:

From the www.BudandTravis.com web site:

"I was introduced to your (web) page by my good friend Travis Edmonson. I was just at his house for dinner Sat. nite and Rose Marie pulled it up for me. It is really super that you have put together a page for the two who inspired us the most. So thanks from another folk music "afficionado"!

Sincerely,

Bob Shane, leader,
The Kingston Trio

 

From Bill McCune, Arizona's Premier Historical Documentary Producer

McCune Television/ Bill McCune
1533 W. Missouri Ave. #16 , Phoenix, AZ. 85015, McCunetv@aol.com
602-274-0278 home/office , 602-405-0505 mobile www.HistoryAZ.com

I am Bill McCune. Like you, I am a friend and admirer of Travis Edmonson, his work and wonderful contributions to the world of music. And of course his great accomplishments with Bud Dashiell during the Bud & Travis years.
If you were to ask the major stars of the folk and folk-rock era, odds are they would speak of their affection and great respect for Travis & people such as members of The Kingston Trio, The New Christy Minstrels; The Limeliters; The Smothers Brothers; Rod McKuen; Barry McGuire; David Crosby, and on and on. I also think many would site influences he had on their musical development, and on-stage skills. [Many of those people have been interviewed, and will appear in the documentary.].
As you likely know, Travis is now about 75 years old and not in the greatest of health. Those of us who love and appreciate him feel strongly that his story and his influence on that era must not be forgotten. Therefore we are undertaking this ambitious, and meaningful project.

Acceptance speech at Culture Keepers Awards banquet

Over the past twenty-five years I have written, produced and narrated more that eighty television documentary projects, and perhaps another fifty non-broadcast films. You may see an overview of my work at www.HistoryAZ.com That web site emphasizes my current History and Heritage of Arizona DVD boxed Set. But the site also includes a link to my larger filmography. (And I must note it needs updating because it doesn't mention my Kingston Trio Live at the Historic Yuma Theatre project)

Travis age 9 or 10

 

During the last year or so, we shot myriad interviews and events that will be important elements of the final product. Many friends and well known contemporaries have appeared on camera, and performed his music for us. Most memorable was when we took Travis back to Nogales, where he grew up, and held, and filmed, a hootenanny with numerous wonderful border singers and musicians & this in the very house in which Travis grew up in the 1930s and 40s. Overall, I'd say that the film is about 70% shot.

With the particular help of Bonnie Brock we have accomplished a great deal of historical and academic research & newspaper articles, advertising materials, old photos; and with Rose Marie's help, rare old film and video of Travis and Bud & Travis performing. (We still need more such materials if you have any).

Picture at right: Travis and Roger Smith at U. of A. win both 1952 Horace Heidt and Ted Mack national talent competitions with guitars and Mexican music. Roger went on the star in TV and movies including hit show 77 Sunset Strip. Roger is married to actress Ann- Margret

Now we are determined to finalize the complete video / audio / print package described above.

THE ELEMENTS

Ideally there will be four major elements in the final package:

 

 

(1.) The first is the documentary itself, which I'm guessing would be about an hour and a half in length. This will not be a simple news style report, nor just a series of audio/video clips of Travis and Bud & Travis singing. Rather it will be the story of his life through good times and bad; the paths taken as his career unfolded; with particular interest in the perfection of his musical capabilities.

It is an American story; a show business story; a very human story.


(2.) In the course of working on this film we discovered a series of almost a dozen songs that Travis wrote after the Bud & Travis years, but before his stroke. They were mostly on old home cassettes. Travis performed them during that period, playing at The Tucson Ramada Inn and other such small rooms. But they were never really recorded professionally nor released. Through the talents of our colleague David Kennedy, we have now significantly cleaned up/ re-mastered what we found, and will include at least parts of them in the documentary.

 

We plan a CD of these recordings as part of the package.

Travis with percussionist Frank Sanchez (who worked with The Gypsy Kings and The Kingston Trio. Probably late 1970s)

2007. Border musicians Hootenanny in Nogales during visit to the house where Travis grew up as a child

(3.) These rediscovered songs are quite incredible. I would say some are about six degrees more toward country than the folk genre of his earlier compositions. Who knows what might come of them but I can see (or hear) some of them being recorded by well known current day stars, and others as the basis for TV and radio commercials. The third element in the package would be a song book; maybe better said, a song booklet - (lead sheets, words, guitar chords) of these 'new' old songs. Such a song book might also include a few songs which have been published by others, but are virtually unknown.

(4.) The final element relates to a seven or eight part piece of semi-classical music composed by Travis. He originally called it Navajo Madonna. I call it 'the deGrazia stuff'

Here's the story Travis tells:

In the mid '70s Travis was very close friends with the late, well known Southwestern artist Ted DeGrazia. The two of them had an occasional practice of sitting up all night long on Ted's patio - drinking coffee (yes, coffee!), smoking cigarettes, and shooting the bull. Ted would bring out one of his original paintings and they'd discuss what the painting 'said' to them. Then during the next week or so Travis would compose a musical score inspired by the painting.

 

Some pieces have a strong Mariachi flavor, and others more of a Native American influence. Over a period of time Travis composed seven, eight or nine such pieces, each inspired by a different painting (and named after that painting). These are not songs, per. se. No lyrics. They're more like movements within a larger work. And by the way, there are in musical notation manuscript form, broken out by the various instruments needed.

Travis being serenaded by Mariachi Batiz in Nogales, 2007

:

When Ted DeGrazia suddenly died, Travis says he just lost heart for the project. The manuscript - not quite complete and refined - ended up in a cardboard box in a closet. And there it sat for perhaps thirty years. Now, again through the talents of our associate David Kennedy we are turning this manuscript into an audio performance to be included on the CD of the rediscovered, 'new' old songs.

 

ADMINISTRATION

The fund and expenditures for production will be administered by Marsha Richardson, a very successful business woman with Coldwell Banker, and a long time participant in the John Stewart Bloodliners group. And also by Bonnie Brock, who many of you know for her extensive professional work in marketing, promoting; web site development, and newsletter writing with many many of our well known folk singers and groups. In addition, there are a number of well established and well known folk performers who have continued to beat me over the head to get this project back on track and finished.

Travis honored by Dave Fitsimmons, cartoonist of The Arizona Daily Star in Tucson

So now - to get even- I am forcing them to serve as historical and musicological resources*. [* This is defined as someone who knew and hung out with Travis back in the day, and still have enough brain cells to remember some of it!!!]

 

BENEFITING TRAVIS & ROSE MARIE

We are establishing a little company called Hardroad Music which will be the business vehicle for this project. My intention is that Hardroad will only deal with Travis' story and music.

Travis and I were laughing the other day that typically the job of the composer / singer / entertainer is to get screwed by the label or publishing company!!

 

This will be different. Aside from the royalties, mechanical rights, etc. that Travis is entitled to by law, he and Rose Marie will also own thirty-three percent of the company itself. So if we are successful in all the marketing of the final product, it will provide additional income to them.

 

 
Bill McCune in Iraq, 2005

 

That's the story. I hope you will pass this on to people who might be in a position, and willing, to participate. If I could afford doing it myself, I certainly would. But that's not possible

Thanks,

BILL McCUNE

PS-- By the way, our life long friend Dolan Ellis (original member of The New Christy Minstrels, and Arizona's Official State Balladeer is our first participant!! )

Also John Karesh, a several-time Fantasy Camper, and prominent citizen of the San Francisco area...

Sharon & Jerry Heikkinen, friends of Travis and Rose Marie from Sierra Vista...

Gene Kelly

Bonnie Brock, the ultimate advocate for folk music in Arizona

Marsha Richardson, a long time John Stewart "Bloodliner".

Questions? Call me. (602) 274-0278. If you'd like to help with financing the project please contact Marsha Richardson at (623) 687-4440 - email at Marsha3300@aol.com or Bonnie Brock at 623-444-5631... or e-mail at BB@Bonniebrock.net


 

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